I didn't hear him enter, but he sure did come that night.
When I saw what he had done, it gave me quite a fright!
Our presents equally distributed - what a sight!
(http://3.bp.blogspot.com/_857d7YwSU5A/TRNVdHUJ8bI/AAAAAAAAARU/e5Yw3fWqExQ/s1600/santa-karl.png)
It took awhile, I know.
Black against the sky
Black with fingers
Twitching, searching
For sun, for earth,
For blood of mountains
On which to sup.
Deep cuts, so deep
The shadow swirls
Black, substance
Given to its bulk
A sharpness to its fold,
Or idleness to its hold.
Green, verdant
Pasture land.
Languid sheep
The shepherds keep.
Grey huts, simple folk
And cooking on the stove.
Roar of the sea
Susurrations,
Undulations.
Cold iron foam
Dark eddies
Toppling the throne.
All leads to it
Highest
Mightiest
The Gods' Seat
Mountain range,
Passing strange.
Edit: OR
It
Is black
Against the sky.
So foul, yet fair to see
Where birds and demons fly.
The mountain range is dark with
Every creature large or small, no cause
To ask a person why - as is, always was so.
To ask is to make one seem clever, yet still a fool
And anyway, those living here abouts are made to sow
Not think of why, why darkness broods and nature sits to stare
Upon the bleakness of that stone, that pale-white picked-on bone...
Indeed, no answers here. But do not give to fear, for mountain roots
Sink deeper than their surface, so they say, and it may yet be seen that here
The roots sink deeper, deeper, darker and further until they break the bare restraint
That earth and solemn sod had forced upon him. Aye, this mountain may break a glacier
In some frozen arctic scene, no shepherd's crook to rule its brook, and light to shine a chandelier
Issuing from the pores of stately marble-like material. And the locals may bow their heads before it
And love how its very presence attracts and ne'er repels, how all are welcome in its shade without a fear.
For tomorrow: Ambition
Though unrelated
(or related most of all),
I think you'll like this. (http://www.bay12forums.com/smf/index.php?topic=161176.0)
Not sure whether you're joking, but just in case....
(http://www.nashville.gov/portals/0/SiteContent/Parks/images/parthenon/Parthenon-Dusk.jpg)
That's the Parthenon.
Montreal Doesn't Know Shit About Crêpes
cook me a warm crepe
pour a crepe out of ubi
it is made of shit
ubi = Ubisoft
Back in business! Whoo. Okay... I have a lot to catch up with.
A mountain stands
Forbidding and grin
Two climb high on it
Their breath growing thin
One surges, forward, turns
Offers their hand
The other reaches for it
Oh, isn't it grand?
When two who are
Nothing to one another
Suddenly start acting
Like they are brothers
I really liked the message of the above, Urist.
Two strangers help each other on the road:
Dark and Light meet
In the woodland,
Both unsafe and
Neither knowing.
Darkness gives his
Hand. The rotten
Wood collapses.
Death approaches.
Lightness gives her
Hand. The growing
Wood is breathing.
Death is coming.
Dark gives hand, and
Light accepts it.
Both together;
Death is nowhere.
----
Chess:
Chivalry on a board.
The King protects the pawns,
The Queen is ready to defend
Against the marshalled might of wrong.
Wrong. King is saved by pawns
Who throw their flesh between
Imagined thrusts and parries.
The mind which watches all
Enjoys it, the macabre, the massacre.
The Queen does not defend, but sends
Herself into the fray, Angel of Death
Manoeuvring through the ranks,
Killing the loyal knight, honour-bound rooks.
Battle on a Board, the Master is not bored,
He revels in the flesh that is not flesh.
World falls away. All the world's terrors,
Made of wood, are here. And they will pay.
A poem based off of a story:
(Inspired by Beren and Luthien)
The wind blown Hemlock brings
The scent of bubbling springs,
Though many years have passed
Without you near, my life's repast.
Give me your hand of lily-white,
The mystery of your hair
And I will live, if living is to fight
To see your heart, and to be there.
I may be but a man, and you an elf
Who ne'er grows old, nor has bad health
But when the wind blows in the Hemlock sheaves
I hear your voice, the voice of Autumn leaves,
And in their cries, I see your eyes.
Though death may come for me, I'll give my hand
Nevertheless to one who never dies
With but one wish, and one demand.
Love me through all the years to come,
But when I am the moon and not the sun
Remember me as I am now, my hand
Dipped in the brook where nearby stand
Hemlock sheaves and the leaves,
The leaves I hear you in,
An elf with gold-embroidered sleeves.
Ah! Since when was to love a sin?
---
A tool:
Most work is simple as the day,
You do it fast and get your pay.
You put in work and get out gold,
And in this way you soon grow old.
But find a trusty tool to use
Along the paths of your abuse
And you will find that you can smile
Though pain may visit every mile.
Also, I just watched phantom of the opera. It has a scene in it reminiscent of the Masquerade poem I did for a prompt a page or so back: Most notably after 3:00. (https://www.youtube.com/watch?v=8Bn4BAlp8NQ)
Well, I've been reading The King in Yellow lately, so my poem is based off one of the "mini-stories" within the Prophet's Paradise (http://www.chaosbutterfly.net/library/kiy_prophets.html) section. It is The Green Room:
The powdered Clown was sitting on his chair.
He turned to his mirror and asked,
"If it is true that to be fair
is to be beautiful, don't none compare
with me within my pale mask?"
((pale is 2 syllables here))
"Who can?" I asked Death, next to me, to learn
the truth of this from his reply:
"Who can to me? Paler am I."
"You are beautiful," said the Clown, then turned
away from his mirror and sighed.
I really like this. I have a slight issue with using pale as two syllables, but it's small.
For tomorrow: Juletide, Christmas, Winter. You get the idea. Something seasonal.
-Snippety-
----
For tomorrow: The last bard.
This immediately reminded me of someone's sig I saw, which was the following piece from the song "The Minstrel Boy:"
"Land of Song!" said the warrior bard,
"Though all the world betrays thee,
One sword, at least, thy rights shall guard,
One faithful harp shall praise thee!"
Great lyric, in my opinion - I thought it was a standalone poem when I first read it!
Have you a link to the song?
They thought that he had met his end
like all his fallen crew.
'Twas right of those who were his friend -
of him, it wasn't true.
But long it was upon that hill,
until the minstrel stirred.
He saw them lying, and was still
Then left with ne'er a word.
It was that night that drives him on,
the memory of friends long gone.
He walks along,
and sings his song,
for soon his journey ends.
Upon his back he carries now
beside his harp a vengeful vow
And in his ears
He only hears
The whispers of his friends
Today he knows he will at last
- with blade in hand - atone
those long-sought spectres of his past
and make his grievance known.
There'll be no joy in what he'll do,
he's known that all along.
His final words, he knows those, too:
One final battle song.
Nice poem! Obviously my changes to the second stanza are just advisory - but you're right that it does need changing somehow.
For tomorrow: Lost
I wander in this place, for all of time
And breathe the steady air, hear the normal
Voices of my friends and family.
And yet I'm lost.
Each thing is known and understood,
I've gathered here or wandered there,
And home and sustenance has never
Been an issue of survival.
This place has seen my like ten times
Ten thousand times, and yet despite
My living here as free of cost
The bridges burn, the paths all twist,
The people lie, the work men lie.
I am lost.
For tomorrow: Something based off this picture: (https://s-media-cache-ak0.pinimg.com/originals/52/73/78/527378a38d8aed1ea95c9ccc118ecad3.jpg)
It can refer to the source material - Patrick Rothfuss' Kingkiller Chronicles - or be entirely image - orientated.