Bay 12 Games Forum

Man, I wish we weren't separated when we arrived. It must have been awesome to have seen that.
Casimir's eyes light up
But then we couldn't have met you later. I'd say that was probably one of the most memorable moments on that island.


(What are we doing to poor Vaiolis...)
(Also, Mario and Luigi:
The spinning turtle strikes the Rahn Inya warrior in the chest! It collapses in gore! The Rahn Inya warrior is struck down.
With maybe falling into a bottomless chasm.)

I'd like to append my action. I ask the gnome if he has lead or black powder. Or ingredients for my special kind.

Y'know, reading that gives an impression of dark and bad. You know, when you're watching a movie and the music stops. (Then the characters look at each other, and boom.)

Seeing as the desk has more to offer to people who use magic than to me, I'll leave that to Dux and Thalmid. I will see if there's anything usable as tools or telescope-components, probably on the lower floors. Can't hurt to ask how exactly this telescope works, either.
"So, we need to get some magic items from a place filled with the people who captured us? Well, as you told us, you're quite a capable fighter against them, Thalmid. And Dux, you could likely scare them to death, even with disregarding your magic. As for me, *loads pistol*
That is, unless it is possible to sneak in."

(One thing. Did we all (all players) know eachother on this ship? Or were there many more people so we never got to know each other and now simply assume they all drowned? Do we (Dux and me) know "that wolf guy and shady looking one", as mentioned by Thalmid?)

Yes, I am not going to wonder (In fact, if I had to touch the window from where I am, my left big toe would be most suited to the job)

174:170

The user below me is unshaven.

This is only a two dimensional representation, and yet it manages to inspire despair.

Actually, I quite liked it. I thought that some of the metaphysical imagery was particularly effective. And interesting colour use also, which seemed to counterpoint the surrealism of the underlying metaphor of the humanity of the painter's compassionate soul which contrive through the medium of the gradient's structure to sublimate this, transcend that, and come to terms with the fundamental dichotomies of the other and one is left with a profound and vivid insight into what Xix is all about!